Showing posts with label Publication. Show all posts
Showing posts with label Publication. Show all posts

Tuesday, June 16, 2026

The Electro-Etheric Minotaur

My second book of 2026, The Electro-Etheric Minotaur, is available for pre-order directly from the publisher, Church Ghost Press. The book, illustrated and designed by Le.BLUE, is a finely printed paperback of 204 pages and features an introduction by Justin Isis. 

https://www.churchghost.com/product-page/the-electro-etheric-minotaur

"The six stories and novellas in The Electro-Etheric Minotaur collect all of Damian Murphy’s 'occult retro-gaming fiction'—including two previously unpublished tales— along with newly commissioned illustrations by Le.BLUE. Combining the aesthetic motifs and arcane mechanics of vintage electronic gaming with the gnostic exaltation of ancient and modern occultism, this is fiction as Metroidvania: nonlinear exploration in the search for keys and secrets.

Murphy’s rich prose is like a cheat code from a half-remembered dream (or nightmare)… where sadomasochistic rites combine with vector angels and spectral wolf-sprites in mazes with flickering walls…"

The contents are as follows: 

A Mansion of Sapphire
Magnetic North (previously unpublished)
A Night of Amethyst
Hallazgo (previously unpublished) 
Night Lamp Lotus
A Book of Alabaster

From the introduction: "Although the juxtaposition of occult ritual and modern electronic gaming may at first seem incongruous, anyone who has ever pursued either activity seriously will have had intimations of the other. Notions of secret areas and strategies, exploitable glitches and hidden codes, always formed part of the gaming experience, and all of them have their correspondences in occult practice." 

Wednesday, April 29, 2026

Abyssinia, an excerpt

What follows is the first section of “Abyssinia” from my latest collection, Saint Severina’s Fire. Links to the US and Rest of World distributions of the book are below.




Petra reclined against the silk upholstery of an armchair in a secluded corner of the smoking room. Before her, on an unused ottoman, sat three pages that she had taken from the hotel registry. The theft was performed without the slightest difficulty. The book had been left unattended for a moment on the edge of the front desk. The pages came out as cleanly and easily as petals from the blossom of a rose. The layout of the sheets, a simple design denoting the details of the guests, their room or suite, and the time of their arrival or departure, was topped with the official emblem of the Hotel Argentum: a stylized image of the building bathed in the effusive light of a single blazing star. 

Two painted figures gazed out upon the room from the confines of their gilded frames above Petra’s chair. A single wall-mounted lamp illuminated the twin portraits, bathing them in an isolated pool of soft, amber light. On the right was shown an older woman in an elegant, yet tasteful gown of mahogany and olive, her hands so thin and frail that they resembled finely sculpted bone. A tiny parasol spread its jeweled canopy above her head as if to shield her from the effusions of the lamp above. With one hand near her waistline, she clutched its ebony base, while the other hand was delicately wrapped around the center of the handle just below her chin. Her stern regard gave her the appearance of a widow, or perhaps the aged matriarch of a once noble bloodline. 

Her compliment on the left was a man in the uniform of a military official. The insignia worn on his collar were no more familiar to Petra than the seal of Kublai Khan. A row of medals hung like petrified stars from the blackness of his greatcoat, while a bright crimson sash ran from his shoulder to his hip. His expression was as grim as that of his companion, though, while his sallow eyes bespoke abasement, beneath it all there flamed an undercurrent of indomitable authority. The man would seem to wear his pathos as a veil.    

There was no indication as to whom the portraits were meant to illustrate. No inscriptions revealed their names or honorifics. They were not the founders of the hotel, whose visages appeared in much smaller portraits in the lobby. Petra would never dream of asking the hotel staff about the enigmatic figures. To know their identities would diminish their mystery and it was precisely this that she cherished. 

She sat up in her armchair beneath the dim glow of the surrounding lamps. The lingering scent of tobacco suffused the room. She was alone in the intimate chamber, free from the scrutiny of the other guests and from the constant ministrations of the staff. Dominik was sleeping in their suite upstairs. For the first time since they’d arrived, she felt at one with the hotel.

She unfolded the pages taken from the registry and spread them out before her on the ottoman. A quick scan of their contents immediately revealed the name that she was searching for. Celia de Fiore had been written in a stylish hand, followed by Milan, 3:17pm, Galicia, the latter referring to the title of the suite in which the woman was staying. Petra had overheard the name a couple of hours before in the dining hall. An attendant had approached the woman’s table carrying a plain white envelope, apparently an urgent missive that couldn’t wait until she returned to her room. Celia was seated only a few tables over from Petra’s own. Though the woman sat alone, the chair opposite hers was occupied by an oversized doll. The latter was attired from head to toe in antiquated military regalia. The hour was so late that not a single other guest was in the hall.  

“Dominik,” uttered Petra under her breath, as she pretended to study the cocktail menu. “Look at the woman seated by the door and tell me I’m not simply delirious.” 

Dominik, of course, had already engaged himself in a furtive operation of tactical surveillance. He pushed his spectacles flat against his face, the dome of his head reflecting the golden emanations of the lamps above. “I don’t know whether it’s a doll or a force of nature,” he said, his eyes trained anywhere but on the object in question. “I simply can’t believe it. She has to be a figment of our imagination. We’d best ignore her.”

The doll, were it stood upright, would rise roughly to the level of its owner’s waist. That it was an antique could not be questioned. The paint upon its face, which bore an idiotic grin, was given to a tapestry of crackling lines and patches of exposed wood. Its uniform was in pristine condition, though it appeared to be pieced together from the military styles of multiple times and places. The woman who kept him looked respectable enough. She gazed wistfully before her as she picked at her Salade Niçoise with a fork, occasionally sipping her cocktail. 

“Ignoring her is not an option,” stated Petra, brushing her long, dark hair to one side of her face. “I have to know more.” 

“So it always goes,” replied her mate. “Do try to be kind in any case.” 

Petra was aghast. “I wouldn’t dream of offending her,” she said. “She’s a treasure to be cherished, and I will treat her with all due reverence.” 

A quick shower in their room upstairs preceded Petra’s act of vandalism. They were staying in Fiume this time. This was the second occasion on which they’d stayed in that particular suite. They’d sampled every major suite in the hotel at least once and had chosen no favorites. Petra tapped her forefinger two times upon the page. Another entry immediately below, written in a far more austere hand, caught her eye. The name was Col. Augustus Olcott, no place of origin was given, and the time of check-in was precisely three minutes after that of Celia’s. What truly demanded her attention was the title of the suite in which he was staying. There were seven named suites in the hotel, and Abyssinia was not one of them. Was it possible, wondered Petra, that the eccentric woman had managed to convince the hotel staff to log an entry for her doll? She again examined the two entries, one after another. Her interest was most definitely piqued. 

A few minutes later, back in the confines of Fiume, Petra stole up the stairs and into the master washroom, taking care not to awaken Dominik who was softly snoring on the bed outside its doors. One wall of the lavatory was covered in white tile on which an image of the hotel had been painted in deep azure. The image was not dissimilar to the hotel logo, but for the fact that the building was shown from behind. The star above the premises was designed in an extravagant style, its radiance expanding to fill the entirety of the night sky. A single lamp protruded from the wall above the painting, its pale light shining down upon the edifice as if it were illuminated by the star itself. 

The lower half of the painting was chiefly occupied with the hotel gardens. The winding footpaths, marble stairways, stone fountains, and lavish flora were cleverly depicted in fine, blue lines. Petra lowered herself before the image, raising a hand to the ceramic tiles before her. The gardens had been divided into sections, each of which was identified by a title. Her palm resided on the narrow divide between the Beryl and Carnelian Grounds. She closed her eyes and let her fingers slowly pass from one tile to another. A barely perceptible impulse surged through her body, its source residing in a place she couldn’t name. She was dimly aware of an answering signal somewhere in the expanse before her, a subtle point of light that persisted like a flame viewed through a veil of gauze. It seemed to reside in an indefinable space roughly one inch behind the tiles. Within seconds, she’d located the exact spot. Opening her eyes, she found her fingers resting to one side of a footpath in an upper quarter of The Amethyst Grounds. The signal pulsed and fluctuated beneath the overturned bowl of her palm. Something awaited her there, though it was not quite ready for her yet. For now, it existed only in potential, like a seed still in gestation. 

She pressed softly against the tile with her fingertips as if to mark the precise location before rising and stepping away from the wall. She took herself over to the sink below the mirror at the far end of the room, spent several minutes attending to the intricate mysteries of her face, returned at last to the bedroom, and slipped beneath the sheets beside her sleeping husband.


Saint Severina’s Fire US distribution

Saint Severina’s Fire Rest of World distribution

Monday, March 30, 2026

Caterina's Mistress: Opening Indiscretions

What follows are the opening paragraphs of the novella “Caterina’s Mistress” from my collection Saint Severina’s Fire. The story is concerned, among other things, with the esoteric link between tactile poetry and ancient Chinese law. This is the longest piece in the book. It can be considered a short novel.

I've always treated chapter titles as an essential part of the story itself, in some cases coming up with the chapters first and letting their titles determine the narrative. I'm inspired, among other things, by the serials of Louis Feuillade (Les Vampires, Fantômas) and Georges Franju (Judex), whose episode titles were designed to lure the audience back to the theater for each installment. If I name the chapters right, the prospective reader will be compelled to read the entire book. To that end, here are the chapter titles for Caterina’s Mistress. The excerpt follows.


Indiscretions

The Marquise of S.

Cistern and Fountain

The Intoxication of the Wolves

Spare the Night

The Lotus Eater

The Imprint in the Ink


Marceau drifted in and out of a lazy half-sleep as he reclined on the couch. On the table before him lay the lengthy memoirs of a minor Prussian bureaucrat, the open pages partly obscured by the shadow of a half-filled wine glass. A series of fleeting images surged through the pale light of his dreams—a counterfeiter locked in a candlelit boudoir, a house overrun with ravenous foxes, the bursting open of cabinet doors and the overflowing of a well. These fragments seemed connected by a narrative thread tied in intricate knots.

He was brought out of his reverie by the faint reverberation of a woman’s voice. “Good lord, you’re incorrigible,” he thought he’d heard her say. The words were so distant that he could barely make them out. His initial thought, upon opening his eyes, was that he was being reprimanded for his dream. With the swiftness of a pickpocket apprehended in the act, he sat up on the fine upholstery. He felt as if he’d been caught in an adulterous embrace.

“Take the flower,” the voice continued. “Take it!”

He recognized the wife of his landlord from downstairs. He’d only once laid eyes on her, mere hours before. She’d briefly appeared in an adjacent doorway as he was signing his rental agreement on the ground floor of the house. Though he hadn’t heard her speak before now, he was certain it was her—the tone and inflections with which she spoke were as distinctive as her face. The voice had emerged from the heating vent in the wall below the console table. It must have been carried up from one of the rooms below.

“Do it with your teeth,” demanded the unseen woman. “Like this.”

Marceau put his glasses on and rose to his feet, crouching down to the floor so that he might better understand the words. The irrational guilt that he’d felt upon awakening was compounded by his reservations about eavesdropping, though he wasn’t about to stop listening at this point.

“You’ll have to keep trying until you get it right,” the woman reprimanded. “There will be consequences if you miss.”

He thought it was curious that he’d only heard the single voice. He assumed she must be with her husband. Was it possible that he was too far out of earshot to hear? Perhaps he was talking quietly—it was true that his voice was remarkably soft. Something told him that this wasn’t the case, that the man had been specifically forbidden to speak. Marceau found it hard to imagine Nigel in such a compromised position. The man seemed far too serious for such frivolous games. He could feel the woman’s presence surging up through the vent and flooding the apartment. The sensation was so poignant that it almost felt electrical.

“Like that,” the voice continued, “only tighter.” Her tone suggested a woman that wielded a fine degree of control. “Now bite down, but only when I say,” she insisted. “Don’t stop until you can feel the pain as well.”

Marceau was greatly startled by a knock on the door. His entire body jerked in response. He couldn’t imagine who could possibly be visiting him. None of his acquaintances knew that he was staying here. He briefly panicked at the prospect that whoever it was would hear the woman’s voice. Without a second thought, he reached out a hand and slid the lever above the grille. The plates in the heating vent flipped into the closed position, hopefully blocking out the sound from downstairs.

He took a second to compose himself before opening the door. The man awaiting him at the top of the stairs was none other than his landlord, his distinguished cap and trim white beard looking as dignified as ever against the backdrop of the night. Who then, he wondered, had his wife been speaking to? She couldn’t have been alone. She hardly seemed the type to talk to herself. Her every move conveyed refinement.

“Nigel,” he said, his chin slightly raised. “What brings you back up so soon?” 




Monday, December 29, 2025

The Arsenal of Night

Below are the first few pages of my story “The Ideal Candidate”, published by Occult Press in May of 2025. The book can be ordered directly from the publisher in a luxurious limited thread-stitched paperback edition and a fine leather edition: https://occultpress.net/the-ideal-candidate/



Precisely in the center of the sizable door, beneath a wilting, white hibiscus that had been affixed to the surface with a single, blackened nail, was found a curling scrap of yellowed paper with a typewritten word in smudged, blue ink. The word, Remit, appeared perfectly intractable, as if etched into the soul of the house itself. What’s more, no matter how hard he tried, Sylvester was unable to remember its meaning. He was certain he’d heard it in passing before and had probably used it himself on occasion, yet it hung in his mind like a half-remembered melody that refused to coalesce.

Above the door was a wooden sign that read Hotel Noturno in dark red letters. While it didn’t look anything like a hotel, Sylvester was relieved that he’d at least come to the right place. He stepped inside to find a room so dim that he was scarcely able to see. An overhead bulb shed a listless glow, its deficiency blooming like a radiant flower, just barely revealing a console table and the beginning of a corridor. The latter proceeded into stifling darkness. Just as he was looking for a notice or a sign, anything at all that might inform him where to go or what to do, he was startled by the sound of a woman’s voice. It was a little bit distant and slightly muffled, but the words were clear enough: “Oh, good LORD!”

Sylvester quickly whipped around only to find that he was alone. A slender door could just be made out in the shadows to the left of the entrance. The voice had come from the other side.

“I don’t want to hear it, Mr. Chandos,” the voice continued. “Not another word. You’ve bungled up everything we’ve offered you so far. You have no one but yourself to blame for your predicament.”

Though he didn’t know why he was so bothered by something that was clearly not meant for him, the woman’s verbal lacerations seemed to cut into Sylvester’s flesh. Another voice responded from further away. It sounded like an older man. “I don’t see where any of this is my fault,” he said. “Do you have any idea how far I’ve come for this?” His annoyance was mingled with a pleading desperation.

“You should have thought of that before you gummed up the lift,” said the woman. “There’s nothing to be done about it now.”

“But couldn’t you just…I don’t know, fix it?” The man sounded as if he were on the verge of tears. “It was an honest mistake. Anybody could have done it. I was only doing what I thought was expected of me.”

“Oh, this is intolerable!” the woman snapped. “I don’t have time for your puerile nonsense. I’ve got a gala to attend in half an hour’s time. Good day, Mr. Chandos!”

Sylvester heard the sound of approaching footsteps. Like a frightened mouse, he slipped into the corridor, the enveloping shadows effectively concealing him. He seemed to disappear completely as he blindly pushed forward, the darkness absolving him, if only for a moment, of the awkward indiscretion of being himself. He passed over what seemed to be a shallow pool of water which seeped right through his shoes and soaked into his socks. He would have turned around but for a shimmering glow that could just be seen in the distance ahead, the light revealing a tiled floor in a horrible state of disrepair. As the front door slammed with a jarring bang, he emerged into what looked like an ill-lit kitchen.

The space, which was cramped and terribly impoverished, was lit entirely by candles—a leaning taper in an open oven whose interior was blackened and covered with grime; another concealed behind a folding screen with four decorative panels; and a third in an ornate silver holder on a weathered wooden table. A young woman was sitting in a chair before the latter, her attention immersed in an open book. One elbow was propped on the tabletop, a cigarette clasped in her slender fingers. She couldn’t have been older than twenty-two; roughly the same age as Sylvester. She neglected to look up at him when he came in, merely putting her cigarette between her lips as she scanned the open page. Her lack of acknowledgement was as palpable as pitch.

“I’m terribly sorry,” said Sylvester after a moment, leaning forward a little toward the table. “But the sign on the door says this is the Hotel Noturno?” He was still regaining his bearings from his passage through the darkness.

The woman raised her eyes to his. She hardly looked pleased to be disturbed. “What of it?” she said with no expression. Sylvester noticed all at once that the filthy little space was freezing.

“I’ve booked a room,” he said. “For a single night only. I telephoned a week ago.”

The woman sat and looked at him as if amazed that he could speak. “The rooms are upstairs,” she casually uttered before turning back to her book.

Giving up for the moment on the insolent woman, he allowed himself to look around. A stairway led upward through a door beside the oven. Nothing could be seen of what lay beyond. Two closed doors stood to one side of the entrance, a shelf between them stocked with glasses and saucers. What looked to be an icebox crouched in a corner, supporting a stack of dirty linens. Aside from an uneven row of cupboards, the only other thing of interest was the folding screen, its panels displaying a stylized forest seen from several points of view at once, all in a limited variety of colors against the sensuous black of the containing night.

Having no desire to return the way he’d come, yet knowing he’d probably have to, he addressed the woman once again in an attempt to stave off the inevitable. “Might there be a front desk somewhere?” he asked, rubbing his arms against the cold.

“You’ll need a room key,” she replied without looking up from her book.

“And where might I get that?” he asked.

“Upstairs,” she said. “I told you.”

Sylvester turned toward the ascending stair, which was every bit as uninviting as the rest of what he’d seen of the place so far. The stairway was so narrow that it couldn’t possibly have been meant for guests. It, too, was mired in total darkness, the candles from the kitchen barely lighting the initial steps. He imagined it led into a prison cell.

“Listen to this,” said the woman in an eager voice. “The ideal candidate will have kindled a torch that burns with an invisible light,” she read, “their stratagems informed by the annunciating angel at the pinnacle of industry. Salted by conscience and self-negation, unfettered by hope or ambition, they’ll apply an efficiency freed of toil to placate an engine that consumes no fuel.”

The passage struck like lightning in Sylvester’s mind. ‘My god,’ he thought. ‘Could it have already begun?’ The possibility hadn’t even occurred to him. He’d come into town to take part in an interview for a job he had no intention of accepting if it was offered to him. His appointment was scheduled for the following morning at an off-site location on the other side of town. János Industries was specifically known for their unconventional interview style. Curious to see if the rumors were true, he’d decided to apply for a menial position with no regard for the outcome. Having desirable prospects in his family’s line of work, he had not a single thing to lose.

The woman was still immersed in her book, her cigarette raised in her up-turned hand. She seemed much less abrasive than she had a moment ago. Her presence almost felt welcoming. “May I ask what you’re reading?” he gently inquired, slipping his hands into the pockets of his jacket.

“It’s a book my father wrote,” she said, looking up at him. “His name is Rebus. He owns the hotel.”

“And your name?” he asked, not expecting an answer, having no other motive than to confirm his suspicion.

“My name is Miette,” she said. “It means ‘crumb’.”

The revealing of her name seemed like a ritual act, charging their acquaintance with new significance. Sylvester felt reassured that she’d given it up so easily. It was as if he’d passed a test. “So your father is a writer in addition to being the proprietor?” he asked.

She paused, taking a moment to consider, shifting her gaze toward the folding screen. “He behaves like one, in any case.” She sighed. “He sleeps all day and wakes at night, refusing to come out of his upstairs study. He wastes most of his time devising tactics to defend the hotel against an imaginary coup. He fritters away what’s left of our funds to print updated versions of the exact same book over and over again. I’m sure the hotel would be better off without him. He barely seems to know we exist.”

“I’m sorry to hear that,” said Sylvester, his sympathy sounding hollow even to him. Miette had nothing to say in response. She merely took a drag from her cigarette. With her plain gray top and crimson skirt, she seemed immune to the biting cold. Sylvester noticed that her feet were bare.

“There’s more,” she said, exhaling a lungful of smoke, her eyes turned back to the book. “But what of the imposter who’s adopted our method for their own less-than-suitable ends?” She spared a brief glance up at him. “The solution is as obvious as it is elegant. One must incorporate their efforts without their knowledge, casting them out into the arsenal of night by their own effete designs. There they’ll discover an ethos whose capacity exceeds its source.”

Now Sylvester was sure of it—this was all part of his interview. The entire situation was a calculated front arranged by the company to test his resolve. He suddenly felt as if he were playing a game that had no established rules. He was amazed at the lengths the company had gone to for the sake of such a minor post.

“My father’s been developing these ideas since I was a girl,” said Miette, idly flipping through the pages. “He’s a piss-poor poet and a miserable parent. What’s worse, he’s hopeless at running a business.”

“Does the hotel have many guests?” asked Sylvester. He would have liked to sit down, but Miette was sitting in the only chair.

“More than we can handle,” she said, turning her gaze to one side. She sat and smoked for several seconds before flipping the book shut with a gentle thud. Her body was tense with a strained contempt, though this was no longer aimed at Sylvester.

“I’ll take you upstairs to get your room key,” she said, looking back up at him. “We’ll have to retrieve it from Decline if we can find her. She’s probably sleeping in her office. She doesn’t like to be disturbed.”

She took one final drag from her cigarette before stubbing it out on the table and tossing the butt into the open oven. Rising from her chair, she took the candlestick in hand and headed toward the stairs. Sylvester didn’t hesitate to follow her.


Two new collections are coming in the first half of 2026. The first (which may or may not be published first) is a collection of occult retro-gaming fiction from Church Ghost Press. The second, at last, is another new collection, Saint Severina's Fire, which will be released on Occult Press. Both books feature a larger-than-usual amount of previously unpublished material. 

Monday, August 18, 2025

A Letter From Alfonso

 


Below is a section of The Explosion of a Chandelier that I'd removed from the final version as it didn't quite fit with the existing text, consisting of a spurious letter written by three young men to an unknown person whose name and address are found in the registry of the Hotel Delicias. The letter, in the story, is signed with the name and imperial seal of Alfonso XIII, King of Spain. 


It’s rarely said that I’m an amicable man. I’m known to be fervent in my convictions. It’s been noted, on more than one occasion, that I’m prone to delusions. It’s entirely possible that this is indeed the case. The pressures of my office are beyond the imaginings of the most fertile minds in the country—a country, mind you, that’s suffered countless indignities since the end of the war that ravaged most of Europe. Our cities are rife with strikes and bombs, our banks are indulging in wild speculation, the populace, for what little they’re worth, has grown increasingly divided and discontent—the soul of Spain has become a trembling leviathan that exceeds even the reach of the empire. It’s hard to believe, as I listen to my daily briefings, that I once held the reins of this intemperate beast. Whatever semblance of control once belonged to the sovereignty has withered like a moth in the mouth of a cannon. 

But this is not what I intended to write about. This letter has started badly—let’s begin again. I wanted to inform you of a particular incident. The matter, I assure you, is a serious one. The incident took place in a modest hotel that you yourself spent a single night in during the autumn of last year. You slept in suite 201, if I’m not mistaken? The first door to the right on the second floor? There’s been a dreadful mix up, I’m afraid—that suite was supposed to be occupied by me. It’s only after reviewing the royal receipts that I’ve become aware of the mistake. 

I often make use of the Hotel Delicias to conduct important affairs of state. It’s perfectly suited to the needs of my bureaucrats, with its inferior drapery and second-rate furnishings. Even the pitiable chandeliers are ideal—their light pervades the atmosphere like brandy into soil. The gleam of its rays on drying ink brings to mind the blood of an expiring diplomat. I sometimes lie supine before the heating vents in full uniform and regalia, the light setting flame to the currents of my breath and tainting my office with unspeakable sins. This gives rise to a feeling of utter debauchery which I must confess is not entirely displeasurable, comprising one of the many secret joys to be found in this derelict hotel. But, here again, this is far from what I wish to discuss with you. Let us return once more to the matter at hand. 

On this particular occasion, I was to meet with one of my ministers—the Minister of Privation or perhaps the Minister of Abstinence. It’s not unusual for members of the ruling class to appear in a variety of unconventional forms—an unsightly crack in a porcelain vase, an off-color section of the wallpaper, the play of light upon a royal sash, or a flaw in the angle of a mirror’s reflection. This is partly done as a security measure and partly to uphold tradition. Recognizing this natural camouflage is part and parcel of my service to society, yet, after several hours’ waiting, detecting no sign of my contact, I felt I’d failed in my duties that night. Eventually, I fell asleep in my armchair and had the most remarkable dream about minotaurs and spy glasses—but then this is hardly pertinent to the subject of this letter. 

Now that the error has come to light, it’s clear that our rooms were mis-assigned—while you slept in a bed that was intended for a king, I passed the night upon common upholstery. I was to meet with a man of exalted rank in order to secure the advance of our empire, yet I waited all night for my distinguished guest and was still a virgin, so to speak, when the sun came up. I take it you’re astute enough to know what this means—that it was you, not I, who had discourse with the minister. You probably mistook him for a faulty chandelier or some other such trivial inconvenience. Such is often the case when one of common sensibilities is brought into the presence of a genuine aristocrat. 

The minister in question, you ought to be informed, has since abandoned his lofty position. We’ll make haste to have him executed if we ever track him down. You have no one but yourself to thank for such a miserable state of affairs—your grasp of royal protocol is nothing short of execrable. This matter is far from over. My cabinet is scrambling to recover from its consequences. There are rites of office that must be performed—the blackbirds have yet to be released from the inkwell, among other things. Naturally, you’ll have a hand in these proceedings. We’ll send a messenger along to notify you. In the meantime, I have a suggestion to leave you with—you really ought to try your utmost, despite your natural deficiencies, to avoid future meddling in regal affairs, whether intentional or otherwise. 

May Heaven look with mercy on your lack of resolve, may the fruit of your endowments be refined in your abasement, may you never garroted for a clerical error, et cetera, et cetera. 


Sincerely, 

Alfonso XIII, King of Spain



ALSO OF NOTE: The wheels of publishing are turning slow. I have two major releases scheduled for 2026, the second of which, Saint Severina's Fire, has been subject to innumerable delays (having to do with difficulties in arranging the printing, obtaining the materials, etc. etc. - there's still some chance that this might be ready this year - the manuscript was finished for a long, long time ago), while the first of which is a secret surprise that, judging from feedback I've received over the years, I think people will like. 

I'll be posting some rare short pieces here in the intervening months. Maybe I'll even find the time to post some more fake record reviews. Work continues. New material is being produced (in addition to the existing unpublished material, some of which is slated for publication down the road, some of which will probably go into future collections.) I still hold out hope that eventually everything will be available in paperback. 

Wednesday, May 21, 2025

The Ideal Candidate

I'm excited and honored to announce that I have a new book out on Occult Press. The Ideal Candidate collects a previously unpublished novella (the title story) and two previously uncollected short stories. The contents are as follows: 

The Ideal Candidate
The Embassy at Fontainebleau
A Token Derangement of the Senses




The book can be ordered in three editions: A fine thread-stitched paperback book, limited to 100 copies, a lettered hardcover edition bound in sumptuous copper cloth with silver foiling on cover and spine, limited to 26 copies, and a deluxe brown leather edition with gold foiling on cover and spine, limited to 20 copies. Images of the hardcover and leather editions coming soon. 

https://occultpress.net/the-ideal-candidate/

A new full collection, Saint Severina's Fire, is still pending publication. A lot is going into this book, so the printing is taking a little longer than expected. From what I've seen so far, the wait will be well worth it.


*


     Precisely in the center of the sizable door, beneath a wilting, white hibiscus that had been affixed to the surface with a single, blackened nail, was found a curling scrap of yellowed paper with a typewritten word in smudged, blue ink. The word, Remit, appeared perfectly intractable, as if etched into the soul of the house itself. What’s more, no matter how hard he tried, Sylvester was unable to remember its meaning. He was certain he’d heard it in passing before and had probably used it himself on occasion, yet it hung in his mind like a half-remembered melody that refused to coalesce.
     Above the door was a wooden sign that read Hotel Noturno in dark red letters. While it didn’t look anything like a hotel, Sylvester was relieved that he’d at least come to the right place. He stepped inside to find a room so dim that he was scarcely able to see. An overhead bulb shed a listless glow, its deficiency blooming like a radiant flower, just barely revealing a console table and the beginning of a corridor. The latter proceeded into stifling darkness. Just as he was looking for a notice or a sign, anything at all that might inform him where to go or what to do, he was startled by the sound of a woman’s voice. It was a little bit distant and slightly muffled, but the words were clear enough: “Oh, good LORD!” 

Thursday, December 7, 2023

The Explosion of a Chandelier

I'm extremely pleased to announce that my new short novel, The Explosion of a Chandelier, is available to order from Occult Press, a new imprint of Snuggly Books specializing in finely printed limited editions of occult fiction and non-fiction. 

The Explosion of a Chandelier is a labyrinthine story of anarchists, bombs, impetuous youth, scandalous rites and extravagant visions, mutinous angels, intricate games, and the ritual seduction of an old hotel, all of which revolve around The House of Amaryllis, a place of gnostic exaltation and luxuriant delirium in the Spain of Alfonso XIII. 

Chapter headings:
The Strangling of the Sentinels
The Explosion of a Chandelier
The House of Amaryllis
The Bomb
The Secret Axis
The Hotel Delicias
Behemoth
Her Majesty The Queen

The book can be ordered in both standard hardcover and leather-bound editions directly from the publisher: https://www.snugglybooks.co.uk/occult-press/






Sunday, October 8, 2023

Night Lamp Lotus

My fourth occult retro-electronic-gaming story, "Night Lamp Lotus (An Attempt at a Strategic Guide)", is included in the lighthouse-themed Eibonvale Press anthology, "At the Lighthouse", which is now available to order in both paperback and hardback. The story is suffused with the aesthetic of the golden age of 16-bit RPG console games. 

"If you unleash the wolves around the confessional booth in Saint Estukio’s Cathedral, timing their deployment to coincide with the setting of the sun, you’ll attract the presence of a disconsolate widow whose confession will make your hair stand on end. Her diabolical misdeeds provide a valuable clue to the location of an ivory mantel clock which, in turn, is instrumental to the infiltration of the night watch. Do this at any other time and you’ll merely agitate the priest." 




Also, I've recently finished my 5th occult retro-electronic-gaming story. It's titled "Magnetic North" and, if all goes according to plan, will be included in a secret project released sometime in 2024. 

Order here: https://www.eibonvalepress.co.uk/books/books_Lighthouse.htm


Monday, September 18, 2023

A Veritable Feast



The last year or so has been relatively quiet, but a lot has been taking shape behind the scenes. A number of fairly major releases are coming up. Aside from the new collection, Saint Severina's Fire, which will be released on Snuggly Books sometime in the next year, there are two short-novel-length standalone releases in the works, one of them to be announced fairly soon. In addition, there will be a second collection, a secret project which will hopefully be released next year. 

The contents of Saint Severina's Fire will be as follows: 

Abyssinia
Psalms of the Magistrate
Night's Faithful Forgery
Caterina's Mistress
Saint Severina's Fire

"Night's Faithful Forgery" and "Caterina's Mistress" are previously unpublished, the latter being nearly novel-length itself. These two stories comprise a little over half of the book. This book will be longer than my previous collections. 

In addition, my fourth occult retro-electronic-gaming story, "Night Lamp Lotus", will be featured in Eibonvale Press's anthology At the Lighthouse, which will be available for order any day now. 

I've also written the introduction to a previously unpublished book by the late Ron Weighell, Child of the Dawn, available from Zagava Books

Friday, February 10, 2023

A Conversation With an Errant God

I'm very pleased to announce that my story A Conversation With an Errant God: Distorted Reflections on the Kerker-Kreis has been released as a book on Mount Abraxas Press in Bucharest. The book has been printed in a gorgeous hardcover edition, complete with illustrated end-papers and silk ribbon. Limited to 100 copies. 






Copies will be available in the US at Ziesing Books. If you inquire by email, they'll reserve a copy for you. The story is a very perverse response to the German poet Stefan George and his circle of poets, the George-Kries. 



Taken from the pages of Die Nachtigal, issue 77, September 1973, “A Conversation with an Errant God: Distorted Reflections on the Kerker-Kreis”, directly transcribed from tape by the author. Text translated by C.K. Weber. Introduction excised. 


Die Nachtigal: How did you come to be involved with the Kerker-Kreis? I understand you were not a founding member. 

F. Keiner: It started when I was a boy. It was me and my brother, Kaspar. I must have been eleven, so he would have been twelve or thirteen. We’d sneak into our parent’s bedroom while they were in another part of the house and take off all our clothes. It was far more than merely a game between us. We treated it all with the utmost gravity. It would simply be unthinkable that our parents would find us behaving in such an unacceptable way. What, exactly, it was that we were doing, we didn’t really know. Whatever it was, we were genuinely inspired. 

I’m afraid I’m a little confused, Herr Keiner. Are you saying that this is what led to your involvement with the group? 

Excuse me?   

The Kerker-Kreis, Herr Keiner. The poets’ collective. The subject of this interview is your history with them. 

I’m coming to that. Some background details will be necessary. It all happened so long ago, I hardly remember. What I distinctly recall are the routines we acted out, my brother and I—the blindfolds, the punishments, the mock interrogations, the escalating dares and all the complicated dances. It all had very real consequences. 
     The worst was when we took the mantle clock apart. We’d always been fascinated by the faded Roman numerals that circumscribed its face. The curved, walnut casing, the ornate dials—they all came apart like lotus petals. We put it back together, but it was never the same. It didn’t keep time the way it was supposed to. What’s more, it did something to the house. 

Wednesday, November 30, 2022

A Token Derangement of the Senses

The Language of the Storm: A Tribute to Ernst Jünger is now available to order from Raphus Press in Brazil. Ziesing books in California should have copies available within a few weeks as well. 

My story "A Token Derangement of the Senses" is included in the book, along with stories and poetry by Adam S. Cantwell, Jonathan Wood, Alcebiades Diniz Miguel, and Brian Evanson, among others. 

http://raphuspress.weebly.com/the-language-of-the-storm.html

"So we marched with a limp that eluded detection, one foot in the forest and the other in the underworld. If we seemed to move in circles, it was only to propitiate the ambition of the night itself, which demanded, as if in compensation for its treasures, a token derangement of the senses."




Tuesday, November 15, 2022

The Sleep of the Assassins

I am very pleased to announce The Sleep of the Assassins and Other Stories, a book very much akin to a collection of b-sides and rarities from Mount Abraxas Press in Bucharest, gathering six short pieces from several disparate places along with a new, previously unpublished title story. 

The contents are as follows:
Paraffin
The Bastion Overwhelmed
The Subpoena
Imperium
A Flip-Take in the Heart of Seville
The Sleep of the Assassins
The Immaculate Scrambled Automat








"What I’m about to tell you is of marginal importance. You can regard it as akin to an anecdote. My hope is to provide you with a tentative guide to your expected conduct in the field, yet there’s every possibility that my advice will only lead you into error. You’ll have to seek refuge in uncertainty and guesswork, rely on chance and ambiguity, and find a means to kindle flame from little more than intuition. The very lack of clarity regarding your assignment will reveal far more than anything I can pass on to you. 

The outer layers of the citadel will not be difficult for an agent of your caliber to breach. The enemy won’t make it easy. They possess considerable prowess in the art of misdirection. With a little ingenuity, you’ll slip through their defenses like a sparrow through the hangings of a chandelier. What comes after will prove a more formidable challenge. This is only the first of a series of citadels, each of them nested inside the others and secured with insidious traps and locks. You can expect these to grow progressively more difficult the further you proceed." 


The Sleep of the Assassins and Other Stories can be purchased directly from the publisher by sending an inquiry to exoccidente@gmail.com, or pre-ordered from Ziesing Books in the US. 


Friday, June 3, 2022

The Embassy at Fontainebleau

I have a short piece, "The Embassy at Fontainebleau", in the anthology ORNITHOLOGIÆ, which is available now from Egaeus Press. 


My story involves ley lines and telluric forces, distant radiation from decaying stars, the fickle intelligence of the winds and the pulsation of magnetic currents, riots, fires, incendiary slogans, prayers to the night wind of Napoli, an oracular metronome, the rites of litigation, the howling of wolves around an opera house, symmetries, intervals, reversals, inversions, the nourishment of ancient ores, acrostics, ballistics, steganography, and forgery, as well as and several other things besides, but principally birds. 

https://www.egaeuspress.com/Ornithologiae.html

Monday, March 14, 2022

Neo-Decadence Evangelion

The latest offering from the last bastion of creative excess and reasonable aesthetic choices, Neo-Decadence Evangelion, is now available for pre-order from Zagava Books. 




The book is edited by Justin Isis and features artwork by Gea Philes. 

The table of contents are as follows: 
Brendan Connell – THE SLUG
Golnoosh Nour – SADPRINCE
Justin Isis – A TREE ROTTING FROM THE TOP DOWN
Arturo Calderon – YAWAR JAGUAR
Gaurav Monga – THE COSTUME
Audrey Szasz – FRED IS DEAD
Colby Smith – HELLENIC DROPOUT
LC von Hessen – BAPHOMET’S BALLROOM
James Champagne – PROVIDENCE SPLEEN
Kristine Ong Muslim – THE BLACK ZODIAC
Damian Murphy – A NIGHT OF AMETHYST

A sample of my entry in the book follows below.



A Night of Amethyst
Copyright © 1981 by Mimesis Software, all rights reserved.
Release 1 / Serial Number 044516
(First-time players will benefit from typing ‘help’)


Lobby
Exits: north, east, south

    You stand in the lobby of an institution stained with scandal and ignominy. A symmetrical group of decorative lamps hang by thick strands from the ceiling. Their bulbs are shaped like rising flames and are arranged in tight concentric circles. A slender front desk resides on the far end of the room, behind which stands a well-dressed attendant. He wields the authority of the minor official whose expertise exceeds that of their superiors. His attention is absorbed in what appears to be an open registry.
    Sitting areas of no great size lie to either side of the desk. A woman reclines in an immodest position on the elegant upholstery of one of the armchairs. She wears a button-up top of vivid emerald and a skirt of pale cream. A bare foot is propped on one of the armrests while the fingers of one hand trace lazy circles on the fabric. She appears to be intolerably bored.
    To the west, behind you, is the entrance to the establishment, but of course you have no intention of leaving so soon.

> examine carpet

    The mandates of the night itself are enciphered in its rich designs and its golden fringes flash like filaments against the dark, wooden floors. It occurs to you that its pattern reflects every possible path that can be taken through this game.

> approach desk

    “Sir?” prompts the attendant as he looks up from the registry. “If you’ll be so kind as to sign in.” He turns the book around to face you. A pen lies on the desk to one side.
    You’ve managed to attract the scrutiny of the woman in the armchair. She lies just out of view, yet you can feel her gaze on the back of your neck. You’re ashamed to admit it, but this pleases you a little.

> sign registry

    “Thank you kindly, Mr. Morse,” says the man behind the desk after you’ve added your name and time of arrival. “There are a few preparations that must be attended to. If you’ll be seated for a moment, we’ll be ready for you shortly.” He executes a barely perceptible bow before making his exit through a doorway in the east.
    You turn around to confront the woman that fixes you with her gaze. She glances over to the northern archway, beyond which lies a well-lit corridor that extends in both directions. Her eyes are aflame with provocation as they return to yours. She seems to be suggesting that you slip out of the lobby before the man returns.

> examine desk

    I fail to see how the front desk warrants the benefit of your attention. Nevertheless, you turn around and consider its simple elegance. The woman behind you is hardly amused that you’ve turned your back on her. She proceeds to make a gentle hissing sound with her tongue and the roof of her mouth, her presence overflowing with a shameless physicality that’s all the more pronounced when your attention is focused elsewhere.

> search desk

    With all of the discretion of a gentleman thief, you step behind the desk. You realize that the risk you’re taking is nothing short of absurd. The attendant might return at any time.

Tuesday, August 10, 2021

The Night of Disposition

The latest bundle from Snuggly Books is now available for order. This includes my up-coming collection of stories and novellas, The Exalted and the Abased (which will be available on its own on October 19th).

The Exalted and the Abased collects four stories reprinted from older collections along with two previously unpublished novellas, each of which comprises a fairly major work. 

The contents are as follows: 
The Ivory Sovereign 
The Notary 
The Hieromantic Mirror 
The Exalted and the Abased
An Incident in the House of Destiny
A Night of Amethyst

Of these, the title story and A Night of Amethyst are new. 

The bundle can be purchased here: 
https://www.snugglybooks.co.uk/special-offers/

I'll post again when The Exalted and the Abased is available for purchase on its own. 



“You’ve passed into a house of catastrophic repute—the carpets confound, the lamps conceal, the passages obstruct, and the locks are unfaithful. The night has crept in through a crack in the foundation and impersonates the night watch. Even the shadows revolt against the light—they cluster around it like a company of pickpockets.”

Tuesday, January 5, 2021

The Narcissus Variations

I'm honored to announce the impending release of The Narcissus Variations on Mount Abraxas Press, a novella dedicated to the Kibbo Kift and to the fortuitous ambiguity of memory. 



A white rhinoceros, a resurrected king, a river that flows into the heart of night, the amassing of thrushes, the discharge of artillery, a rotating chamber replete with false doors, invisible signals, a cunning sentry, the manipulation of recording tape, an illustrious imposter, the wailing of torches, a desperate man trapped in a hallucinated boudoir—The Narcissus Variations weaves these disparate themes into a narrative thread tied in intricate knots to comprise a novella steeped in labyrinthine intrigues and startling revelations.




The Narcissus Variations can be purchased directly from the publisher by sending an inquiry to exoccidente@gmail.comor pre-ordered from Ziesing Books in the US. 

Saturday, January 2, 2021

Neo-Decadence: 12 Manifestos

I'm very happy to announce the impending release of Neo-Decadence: 12 Manifestos on Snuggly Books. My Manifesto of Neo-Decadent Occultism is included, along with several others (a couple of which I was honored to contribute to). 



The early 21st Century: a gilded age of pious guilt, poison nostalgia, environmental collapse, unchecked pandemics, corporate franchises, workshopped creativity and personal brands. Standing against the Neo-Passéist tide, Neo-Decadence presents a total reformulation of everyday life. What is the vertical table? Why is a sex helmet indispensable for all assignations? What is the proper spirit of electronic gaming? Covering fashion, cooking, architecture, occultism, poetry, gardening, and other areas of concern to all young people, the present volume is the ONLY resource for those wishing to shrug off the cerements of late capitalist literature and art. If you’ve ever wanted to proudly commit commercial suicide while serving your own head on a plate as an offering to your inner daemon, consult this collection of manifestos—as much a personal style guide as it is a declaration of uncompromising aesthetic war.

Saturday, December 5, 2020

A Night at the Ministry

I'm honored to have a story, "Night at the Ministry", in the latest Egaeus Press release: Bitter Distillations, An Anthology of Poisonous Tales

My narrative will be featured alongside the work of Jonathan Wood, Rose Biggin, Timothy J. Jarvis, Rosanne Rabinowitz, Ron Weighell, Nina Antonia, Lisa L. Hannett, George Berguño, Sheryl Humphrey, Kathleen Jennings, Louis Marvick, Stephen J. Clark, Joseph Dawson, Yarrow Paisley, Jason E. Rolfe, Alison Littlewood and Carina Bissett.

The book can be ordered directly from the publishers website.



(Photos by Mark Beech)

Tuesday, September 29, 2020

The Acephalic Imperial

 

Here begins my decent into something for which I have no words.

The Acephalic Imperial, which sits somewhere between a novella and a short novel, is officially released today. It can be purchased directly from the publisher or through the usual online channels (Ziesing Books, bookshop.org, Amazon, et al.) 

Inspired in part by the work of Patricia Highsmith, George Simenon, and Claude Chabrol, the narrative involves a woman that takes a position as a live-in maid in a large and stylish manor. Her duties are highly unconventional, to say the least, having more to do with voyeurism and acts of indiscretion than cleaning or maintaining order. As it becomes increasingly clear that her employer is subjecting her to a tenuous game of provocation and transgression, she resolves to find out precisely how far his obsessions might be pushed. What follows is a story that revolves around a double axis—that of obedience and disobedience, explicit and implicit rules, loyalty and treachery, and the twin heads of the imperial eagle whose icon is found in every region of the house.

Only the sovereign without a head is truly fit to wear the crown.


Also, just out on Eibonvale Press, is The Neo-Decadent Cookbook, which features a short piece of mine, entitled “The Immaculate Scrambled Automat.” My contribution, a pleasant dystopian occult science fiction piece, is honored to share space with some of the finest work in the Neo-Decadent tradition, including contributions by Justin Isis, Quentin S. Crisp, Brendan Connell, Daniel Corrick, Jason Rolfe, and others. 


Further publication news is forthcoming. 

Saturday, March 2, 2019

The Axis of the Lodestone

I'm very happy to announce that my novella "The Axis of the Lodestone" will be featured, alongside novellas by Colin Insole and Richard Gavin, in the up-coming Sarob Press anthology Their Dark & Secret Alchemy.


Further details, including pre-order information, can be found at the Sarob Press website. Publication is currently scheduled for April, 2019.